Does this still fall under the noise blanket
Moderator: xome
Does this still fall under the noise blanket
https://mountkuma.bandcamp.com/album/ta ... rable-heat
The newest release from late last year. Picked up some new toys traveling Japan and Taiwan and put this out when I arrived home in Australia afterward.
Strays away from Harsher Noise toward ambient but wanted to know if it still falls under the noise blanket in the eyes of Noiseguide
https://mountkuma.bandcamp.com/album/ta ... rable-heat
The newest release from late last year. Picked up some new toys traveling Japan and Taiwan and put this out when I arrived home in Australia afterward.
Strays away from Harsher Noise toward ambient but wanted to know if it still falls under the noise blanket in the eyes of Noiseguide
https://mountkuma.bandcamp.com/album/ta ... rable-heat
Re: Does this still fall under the noise blanket
no, that's definitely music
Re: Does this still fall under the noise blanket
Sure if the only noise that is "real noise" is HNW

Re: Does this still fall under the noise blanket
or done without guitars
Re: Does this still fall under the noise blanket
I think field recordings are noise.. what I heard in the link was beautiful music. 

Re: Does this still fall under the noise blanket
What if it's a field recording of music?
Re: Does this still fall under the noise blanket
I just don't like guitars at noise shows.. doesn't really have anything to do with is it noise or not

Re: Does this still fall under the noise blanket
Like a live album?
Re: Does this still fall under the noise blanket
Aww..but they like you
Re: Does this still fall under the noise blanket
not exactly.. more like you encounter music being played in some form while walking around recording
Re: Does this still fall under the noise blanket
It's nothing personal

Re: Does this still fall under the noise blanket
Did you set out to create noise? I guess you can call it noise if thats what you want it to be.
Might be better marketing it as something else though, depending on your intended audience.
Might be better marketing it as something else though, depending on your intended audience.

www.snarerush.co.uk
An electronic music zine in occasional print format
An electronic music zine in occasional print format
Re: Does this still fall under the noise blanket
its melodic noisescape, the edge of music, it evokes an emotional response similar to music
noise as a genre is pretty tough to nail down, but consider this:
music stimulates certain emotions and thoughts
noise is often crafted to avoid evoking these
nobody mistakes a violin for a jackhammer
noise as a genre is pretty tough to nail down, but consider this:
music stimulates certain emotions and thoughts
noise is often crafted to avoid evoking these
nobody mistakes a violin for a jackhammer
broadcasting from the post-internet wasteland
- guill pizarro
- Posts: 83
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Re: Does this still fall under the noise blanket
Not sure, but I dig it!
consider this topic dead.
Main project - www.guillermopizarro.bandcamp.com/
Label - https://flagdayrecordings.bandcamp.com
Pretty Noise - https://asucre.bandcamp.com/
Ugly Noise - http://bricksbricksbricks.bandcamp.com/
Main project - www.guillermopizarro.bandcamp.com/
Label - https://flagdayrecordings.bandcamp.com
Pretty Noise - https://asucre.bandcamp.com/
Ugly Noise - http://bricksbricksbricks.bandcamp.com/
Re: Does this still fall under the noise blanket
The classic...
"4′33″ (pronounced "Four minutes, thirty-three seconds" or just "Four thirty-three"[1]) is a three-movement composition[2][3] by American experimental composer John Cage (1912–1992). It was composed in 1952, for any instrument or combination of instruments, and the score instructs the performer(s) not to play their instrument(s) during the entire duration of the piece throughout the three movements. The piece consists of the sounds of the environment that the listeners hear while it is performed,[4] although it is commonly perceived as "four minutes thirty-three seconds of silence".[5][6] The title of the piece refers to the total length in minutes and seconds of a given performance, 4′33″ being the total length of the first public performance.[7]"
Noise - yes - but not made by the composer or performer - music - well yes its considered so...
"4′33″ (pronounced "Four minutes, thirty-three seconds" or just "Four thirty-three"[1]) is a three-movement composition[2][3] by American experimental composer John Cage (1912–1992). It was composed in 1952, for any instrument or combination of instruments, and the score instructs the performer(s) not to play their instrument(s) during the entire duration of the piece throughout the three movements. The piece consists of the sounds of the environment that the listeners hear while it is performed,[4] although it is commonly perceived as "four minutes thirty-three seconds of silence".[5][6] The title of the piece refers to the total length in minutes and seconds of a given performance, 4′33″ being the total length of the first public performance.[7]"
Noise - yes - but not made by the composer or performer - music - well yes its considered so...
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